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How To Not Summon A Demon Lord Mal

What is Aniclub? And what does information technology take to do with 'How Not to Summon a Demon Lord Ω'? MOTSU wants you to know with these viii remixes.

With every season comes an assortment of new opening and ending themes (OP/ED), each created to set the tone for the anime and get you hyped. The theme songs for Spring 2021's Isekai Maou to Shoukan Shoujo no Dorei Majutsu Ω (How Non to Summon a Demon Lord Ω) are no exception—reminiscent of 90'south music, both songs are upbeat party anthems designed to coax even the most reluctant listener to get up and dance.

Shera L. Greenwood

Titled "Everybody! Everybody!" (OP) and "You You lot You lot" (ED), Yuu Serizawa (character vox for Shera 50. Greenwood) performs alongside DJ KOO and MOTSU for both tracks. If listening to these songs threw you back in time to Initial D, your nostalgia isn't random: years ago MOTSU was the rapper for k.o.5.due east, the band which performed virtually every theme song for the franchise.

As the Initial D TV anime was catastrophe, a different motion was growing in Nihon—"Aniclub", where music, anime, and clubbing collide. During these events, DJs either play original anime songs (anisongs) in-tune with the free energy of the crowd, or they create remixes of the originals. In music, remixes are one of the master essences of the community. Remixes seek non to deem the original song as inferior, but to expound on it and enhance its reach, offering a familiar yet unique experience to the audition.

MOTSU is a prominent effigy in the genre as lead organizer of Anime Rave Festival, the largest aniclub event. Considering this, and that MOTSU wrote the lyrics and music for both "Everybody! Everybody!" and "You You You lot," is it any wonder these OP/ED songs make you feel like they belong at a rave (or cough in DDR)?

If y'all can't get enough of these songs (similar the states), we'd like to innovate viii brand-new remixes created by MOTSU himself. With the gradual release of these edits over the last four weeks, MOTSU hopes these songs volition reach music fans across the globe—and maybe even inspire them to create their ain. After all, music is non merely i-way: information technology is versatile, and that aspect makes remixes even more than appealing.


Original OP: YouTube
Original ED: YouTube


OP: Aniclub Edit

This remix starts much quieter than the original song. Notwithstanding, chop-chop it starts ramping up. As an edit rather than a remix, it is the most similar to the original song compared to the other remixes, but the extended introduction helps to build anticipation to the epic drop.

https://youtu.be/vqJrCrm_Eeg


ED: Aniclub Edit

Similar to the Aniclub Edit of the opening theme, this version of the ending starts out calmly. The introduction warms you up, then transitioning to a tune that gives off the feeling of the original vocal. As such, the edit does not deviate too far from its roots, retaining the aforementioned feeling as the original while offering uniqueness.

https://youtu.be/G8XNYQrGQA4


OP: 90's Techno Remix

Like the atomic number 82-up to a race builds adrenaline, the countdown from 10 builds excitement. However, the inaugural is stopped correct before one... to phone call for a jump~! Right from the start, this remix shows it has a lot of different things to offer than the original. Even so, it still has that amazing drop.

https://youtu.be/MzDn2SEiNWA


ED: Hachiroku Eurobeat Remix

When talking most Eurobeat, most anime fans would probably recollect about the famous opening of Initial D. Of course, Eurobeat in itself is a dear style of music that includes a distinct rhythm that is perfect for accompanying a dance number. Despite mixing this style to a song that is somehow already shut to Eurobeat, the Hachiroku Eurobeat Remix still manages to transform this song to a dissimilar yet cornball homage to the Eurobeat way as a whole.

https://youtu.exist/NfGCSFtGn7k


OP: Planet U Remix

From the 90'due south remix, we jump back to the fourscore's for a remix reminiscent of eighty's space anime. Starting from a pic of the galaxy... then zooming in to encounter the message "Everybody! Everybody!" emanating outwards from three aliens. This message is—a brand new remix! From the narration at the showtime to the grainy image of a milky way in space, everything is reminiscent of older lxxx's media. The instrumentals would undoubtedly be the perfect groundwork music at a trendy intergalactic cafe sitting on the rim of the solar system. The song so quiets for the narrator to say that the iii aliens and their friends take taken a rocket into space. Perhaps they might take a pit-stop at Earth along the way? There'southward no improve way to explore the universe than with a groovy vocal like this~

https://youtu.be/W6Nm_Sycexs


ED: Happy Eurobeat Remix

Speaking of Eurobeat, the ending theme has two remixes of it! Truthful to its name, this version of the ending features a happy and upbeat melody throughout the whole song. To complement this remix's theme is brighter accompaniment which adds to the already positive mood of the original song and its lyrics that portray a love one-act. Perhaps ane of the nigh noticeable and significant changes this version has to offering is the bridge later the second refrain. In this part, the original changes the tone and tempo with a poco ritardando that represents a calm recess every bit preparation for an overall spectacular execution of the terminal parts of the vocal. On the other hand, the Happy Eurobeat Remix remains consequent with its fast pacing, leaving a fresh bear upon to the listener.

https://youtu.be/5sKBXoi-ZM0


OP: Tropical Disco Remix

The last remix of the opening jumps back the concluding decade into the disco hits of the seventy'south. Characteristic of the genre, at that place is strong vocal reverb. Withal, the vocal still maintains the high free energy we look from "Everybody! Everybody!"

https://youtu.be/rtoCZddq9iY


ED: Kawaii Futurity Bass Remix

While the other three remixes retain the fast, light, and cheerful rhythm of the original vocal, the Kawaii Future Bass Remix brings the song to some other level. While the actual lyrics retain their speed, the background music takes on a considerably slower tempo, mixed with a familiar melody that i would connect with futuristic engineering science—only like the title of the remix.

https://youtu.be/tuOQa7-h-M8


Demon Lord

Release information

'EVERYBODY! EVERYBODY!' / 'YOU You You lot'
(Opening and ending theme for TV anime series 'How Not to Summon a Demon Lord Ω')
Artist: Yu Serizawa with DJ KOO & MOTSU
Release date: May 19, 2021
CD purchase and more: https://avex.lnk.to/seriko3_EEYYY_PKG
Download and streaming links: https://avex.lnk.to/EE_YYY_FULL

Yu Serizawa

Official website: https://yu-serizawa.com/
Twitter: @iRis_s_yu
Instagram: @seriko_is_no.one
TikTok: @iris_s_yu
iRis official YouTube channel: https://www.youtube.com/c/iRisOfficialChannel

DJ KOO

Official website: https://avex.jp/djkoo/​
Twitter: @DJKOO_official
Instagram: @dj_koo1019
TikTok: @dj_koo_avex
YouTube channel: https://world wide web.youtube.com/channel/UCK2U_K8LCwq7tNuwfhGgqZQ

MOTSU

Official website: https://avex.jp/motsu/​
Twitter: @Motsu_MC
Instagram: @motsumc
YouTube channel 'Ghetto Blasta Motsu': https://www.youtube.com/c/GhettoBlastaMotsu

Source: https://oneten.tibet.org/featured/2360/Introducing_the_Aniclub_Scene_with_How_Not_to_Summon_a_Demon_Lord_%CE%A9

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